However important the patrol officer is deemed within the law enforcement community, he or she is without question its most recognized agent. Certainly, the patrol officer and his iconography—badge, helmet, and baton—are the most emblematic of the profession. And nowhere are such fixtures more prominent than in the editorial cartoons of the nation's newspapers.
When it comes to caricatured indictments, the patrol officer runs second to none. His is the shadowy effigy portrayed violating citizens' rights with flashlights, batons, and guns. It is an image that has been beaten into the public consciousness with the same zeal as the sins of some of our quick-to-pound forefathers who fostered the bias. From Eula Love to Malice Green, from
Rodney King
to others less famous, patrol officer/citizen contacts have been the flashpoints for lawsuits, civil protests, and riots.
These episodes have left many—particularly those in minority communities and with left-leaning sensibilities—with the impression that patrol work and police abuse are virtually synonymous.
In the aftermath of a Cincinnati police officer's criminal indictment, Glenda Pottorf of South Lebanon, Ohio, called the charges a slap on the wrist. "I think the family didn't get any justice for the death of their son," the 37-year-old factory worker said. "No offense to police officers, but I think they can kill you and get away with it. ... Cops can be murderers."
If Pottorf's reaction is typical of many in minority communities that still view police officers as little more than occupying armies, then the statements of one police labor union representative reflects the feelings of street cops who see themselves offered up as sacrificial lambs in federal charges of civil rights violations with increasing frequency: "Nobody has a problem with bad cops being prosecuted, but everybody has a problem with good cops being persecuted."