"I was hoping—expecting—that he was going to drop the knife," recalls Beck. "But instead he started to raise it, and I'm thinking, No that's the wrong direction, you can't be doing that. He looked at me, and as the knife came to within an inch of her ear, it was clear he was going to do it. I remember thinking, I can't believe that he's making me do this. And that's when I fired. It wasn't like a hostage situation where I could plan something out and take a different course of action and look at something a little bit differently. It unfolded unbelievably rapidly."
Beck says he is comfortable with having taken the shot, noting that the difference in height between the child hostage and her assailant worked in his favor. That his observations were corroborated by his partner and the woman despite their staggered perspectives only strengthens his convictions that he did the right thing.
"I aimed for high center mass, while being aware of the girl's presence," Beck says. "I had my flashlight in one hand and the gun paralleling it in the other. The only ambient lighting otherwise was from a television set in the room."
Beck's lack of sensory perception at firing the two rounds found him momentarily wondering if he'd fired.
"I couldn't hear the shots—couldn't see any amber flash from the barrel of my sidearm. But I knew I'd fired because I could smell the gunpowder. I had tunnel vision. I focused on what I needed to do at that particular point in time. I focused in on the weapon and the individual and my shot placement. I didn't hear the shots go off."