The reality of any armed conflict is that people suffer. Lives are cut short, bodies are maimed, and families grieve. Such is the sacrifice made by warriors and their families. And it is really a sacrifice that the whole human race shares because all wars seem to take the best and the brightest first. Their loss is a loss to all mankind. For who knows what they may have accomplished if they had lived out their natural lives. Or what their children might have accomplished, or their grandchildren.
There's been a war on crime in this country since its birth. Law enforcement officers are the soldiers in this war and its casualties. More than 19,000 of the best and brightest Americans have been sacrificed in that war.
What mankind has always done to ease its sorrow at the tragedy of war and to glorify the sacrifice of its warriors is to build monuments. A hundred years ago all of these monuments would have been to collective military units or they would depict great leaders astride their noble steeds, but that changed in 1980 when architect Maya Lin designed the Vietnam Veterans Memorial. The focus of that memorial is the names of the men and women who gave their all in that war.
Carving names into a wall as a memorial is nothing new. Loved ones have been doing it on tombstones for eons. But to take collective loss and personalize it to this level is very much a phenomenon of contemporary America. In this era's war memorials, the individual is glorified and mourned more than the unit or even the cause.
It's this concept that makes the nation's monument to warriors lost to the war on crime so powerful and compelling. The
National Law Enforcement Officers Memorial
in Washington, D.C., is really composed of more than 19,000 individual memorials: the names of the fallen cut into the stone. And it is so much more elegant and moving than if someone had erected some impersonal marble edifice to all of the officers who died in the line of duty.