According to Durham, Metro entered the scene like something from an epic movie. "Down the hill came 25 mounted officers in a column of twos, with helmets, face shields, the whole works. And behind them were four Suburbans with our guys on the side wearing tac vests, helmets, and face shields, and carrying less-lethal weapons. They were followed by a big blue jail bus. The only thing that was missing was a helicopter blasting the 'Flight of the Valkyrie.' I was down with the crowd, and they looked up at that and went, 'Uh-oh.' Then they took a step backwards."
To the casual observer, what Durham describes sounds like police overkill, but its goal is to minimize violence, not cause it. "If we're static and I'm confronting you, then I'm pushing a stationary object and that requires a lot of force. But if I can get you to take one step back, then I have momentum. In the past, we had to use force to get that."
Once again, the idea behind making a big splashy entrance with well-equipped cops is to convince a sizable portion of the crowd to go home. "The more you can cut your crowd down without doing anything, the less support those people who want to be violent have," says Durham. "That's a good deal. If you're getting ready to go into a fight and you can make half the other army go home without firing a shot, then you've just turned it into a more winnable fight."[PAGEBREAK]
Controlling Passions
The preference, of course, is to avoid a fight. It's also key to keep tempers in check during a confrontation. During the recent anti-war protests, for example, officers were tasked with preserving the right of the protesters to dissent, with preserving the peace, and in many cases reining in their own emotions.