And when the producers got the chance to meet the military guy, when they actually got the chance to meet the defense industry guys, when they got the chance to meet the guys who are building this stuff, they saw that they were always thinking about the guys in the field and how can we make it better for them. That was a fundamental shift.
I told them, all I care about and the only thing that matters to me is the guys in the field. If we are going to do a military story, then it's about the guys in the field. It's about how is this going to make it better for the guys in the field. If it was a law enforcement story, how's it going to make it better for the guys in the field. Because in the end it's about three things: Can I increase their accuracy; can I minimize collateral damage; and can I get them back home to their families. The guys who are developing and building these weapons, that's what they think about.
My bottom line was, "Dude, before I sign that contract, you need to know that I am going to come straight down the middle. I'm not coming from left of center or right of center. And if that doesn't work for you, I'm willing to walk away." Then I literally sat waiting for the contract.
They decided they would do it. And I think it was challenging for them at first because I wasn't just going to roll over. I was striving to make the show as clean and non-Hollywoody as possible. I didn't want it to be lame for our guys. I just wanted to do it right.
All of those early concerns aside, did you enjoy making "FutureWeapons?"