Juror number four finds himself seated directly below the clock and cranes his head to check out the time. I can only hope he has better luck discriminating numbers than juror “8611” at that angle.
As each prospective juror answers the seven questions, we get a clearer picture of who they are. There’s a widow, a secretary, a construction worker, a shipper, a professor, a psychology major, and a couple of pre-law dudes—one of whom is a cadet with a local PD—and an exotic dancer, I think.
Concerns as to what impact their personal history will have on their votes occupy the minds of both attorneys, and some of responses prompt clarifying follow-ups like: “Since your husband beat you, do you feel any particular bias against abusive spouses?” “Why, heavens no.”
As a retired cop, I realize that mine is a presumed vote for guilty.
But I want to go against type. In the world of “Twelve Angry Men (and Pissed Off Women)”, I don’t wanna play Lee J. Cobb’s role, I want Henry Fonda’s. I want to be the guy who convinces everybody—against all odds—that the defendant is innocent.
What can be more invigorating than to surmount my considerable prejudices: Knowing how difficult it can be to get a case filed; aware that the prosecution has announced a litany of witnesses to be called and the defense only one (a doctor, no doubt on a consultant’s commission); realizing that the defense attorney wants to make sure that the prospective jurors aren’t prejudiced against drunks because his defendant apparently was during the time of the incident; speculating that said defendant probably made incriminating statements that could only be mitigated away with a “he didn’t know what he was saying” defense; knowing that there is a woman who has been stabbed and slashed and who better to know who tried to make a jigsaw puzzle of her than she?