Cops would be well advised to take such messages to heart. Unfortunately, many don't.
Sometimes I wonder if some of our brethren aren't hell bent on replicating the feats of their cinematic peers. Certainly, the most famous car chases in movies have always involved cops. "The French Connection." "Bullitt." "The Seven Ups." How terrible the temptation must be to measure up to Steve McQueen (who, ironically, over-drove himself, resulting in the destruction of one of the production cameras and one of the more memorable scenes in "Bullitt").
In recent years, C.G.I.-enhanced fare has raised the bar still higher for audiences—with cars routinely doing barrel rolls and skidding 180 degrees to hijack oil tankers with ease—already weaned on fast lyrics ("I Can't Drive 55") and fast dialogue ("I feel the need, the need for speed"). It's small wonder that we have so many badged NASCAR wanna-bes out on the roads.
To be sure, it's not just the romantic notion of pushing the envelope and scaring the shit out of one's bookman that finds cops getting in over their heads; nothing so raises the adrenaline charge like a fellow officer's radioed cry for help. That so many cops end up over-driving and crashing long before they get to that call for help is what makes for a briefing-room caveat.
I used to think that it was only the young guns—the one's whose prefrontal cortexes hadn't fully developed—that were standing fearlessly with both feet on the accelerator.